Linggo, Setyembre 25, 2011

Sun Wu

Sun Wu

Sun Wu (simplified Chinese: traditional Chinese:  pinyin:), style name Changqing, better known as Sun Tzu or Sunzi (simplified Chinese:  traditional Chinese:  pinyin: Sūnzǐ; pronounced [swə́n tsɨ̀]), was an ancient Chinese military general, strategist and philosopher who is traditionally believed, and who is most likely, to have authored The Art of War, an influential ancient Chinese book on military strategy. Sun Tzu has had a significant impact on Chinese and Asian history and culture, both as an author of The Art of War and through legend. During the 19th and 20th centuries, Sun Tzu's The Art of War grew in popularity and saw practical use in Western society, and his work has continued to influence both Asian and Western culture and politics.
Historians have questioned whether or not Sun Tzu was an authentic historical figure. Traditional accounts place him in the Spring and Autumn Period of China (722–481 BC) as a military general serving under King Helü of Wu, who lived c. 544—496 BC. Modern scholars accepting his historicity place the completion of The Art of War in the Warring States Period (476–221 BC), based on the descriptions of warfare in the text, and on the similarity of text's prose to other works completed in the early Warring States period.
Traditional accounts state that his descendant, Sun Bin, also wrote a treatise on military tactics, titled Sun Bin's Art of War. Both Sun Wu and Sun Bin were referred to as Sun Tzu in classical Chinese writings, and some historians believed that Sun Wu was in fact Sun Bin until Sun Bin's own treatise was discovered in 1972.

Life

The oldest available sources disagree as to where Sun Tzu was born. The Spring and Autumn Annals states that Sun Tzu was born in Qi, while the Shiji states that Sun Tzu was a native of Wu. Both sources agree that Sun Tzu was born in the late Spring and Autumn Period of China (722–481 BC), and that he was active as a general and strategist, serving the king of Wu, King Helü, in the late sixth century BC, beginning around 512 BC. Sun Tzu's victories then inspired him to write The Art of War. The Art of War was one of the most widely read military treatises in the subsequent Warring States Period (475–221 BC), a time of constant war among seven nations (Zhao, Qi, Qin, Chu, Han, Wei and Yan) who fought to control the vast expanse of fertile territory in Eastern China.
One of the more well-known stories about Sun Tzu, taken from the Shiji, illustrates Sun Tzu's temperament as follows: Before hiring Sun Tzu, the King of Wu tested Sun Tzu's skills by commanding him to train a harem of 180 concubines into soldiers. Sun Tzu divided them into two companies, appointing the two concubines most favored by the king as the company commanders. When Sun Tzu first ordered the concubines to face right, they giggled. In response, Sun Tzu said that the general, in this case himself, was responsible for ensuring that soldiers understood the commands given to them. Then, he reiterated the command, and again the concubines giggled. Sun Tzu then ordered the execution of the king's two favored concubines, to the king's protests. He explained that if the general's soldiers understood their commands but did not obey, it was the fault of the officers. Sun Tzu also said that once a general was appointed, it was their duty to carry out their mission, even if the king protested. After both concubines were killed, new officers were chosen to replace them. Afterwards, both companies performed their maneuvers flawlessly.
The Shiji claims that Sun Tzu later proved on the battlefield that his theories were effective (for example, in the Battle of Boju), that he had a successful military career, and that he wrote The Art of War based on his tested expertise. His descendant, Sun Bin, also became a famous scholar of the military arts.

The Art of War

 A bamboo version of The Art of War

The Art of War (simplified Chinese: traditional Chinese: pinyin: Sūn Bīng) is attributed to Sun Tzu. It presents a philosophy of war for managing conflicts and winning battles. Some modern scholars believe that, contrary to popular belief, it contains not only the writings of the original author, but also commentary and clarifications from later military philosophers, such as Li Quan and Du Mu. It is accepted as a masterpiece on strategy and frequently cited and referred to by generals and theorists since it was first published, translated, and distributed internationally. There are numerous theories concerning when the text was completed, and concerning the identity of the author or authors, but archeological recoveries have proven that the Art of War had roughly achieved its current form by at least the early Han dynasty (206 BCE – 220 CE)..Because it is impossible to prove definitively when the Art of War was completed before this date, the differing theories concerning the work's author(s) and date of completion are unlikely to ever be completely resolved.
Of the military texts written before the unification of China in the 2nd century BC, six major works survived, including The Art of War. During the Song Dynasty in the late 1st millennium AD, these six works were combined with a Tang Dynasty text into a collection called the Seven Military Classics. As a central part of that compilation, The Art of War formed the foundations of orthodox military theory in China. Illustrating this point, the book was required reading to pass the tests needed for imperial appointment to military positions.
According to Simpkins & Simpkins, Sun Tzu's Art of War uses language that may be unusual in a Western text on warfare and strategy. For example, the 11th chapter states that a leader must be "serene and inscrutable" and capable of comprehending "unfathomable plans". They state that the text contains many similar remarks that have long confused Western readers lacking an awareness of the East Asian context. The meaning of such statements are clearer when interpreted in the context of Taoist thought and practice. Sun Tzu viewed the ideal general as an enlightened Taoist master, which has led to The Art of War being considered a prime example of Taoist strategy.The Art of War is distinguished from similar Western works, such as Prussian general Carl von Clausewitz's On War, by this spiritual dimension. Awareness of the Taoist viewpoint in The Art of War is essential to understanding its intended meaning.
The book is not only popular among military theorists, but has also become increasingly popular among political leaders and those in business management. Despite its title, The Art of War addresses strategy in a broad fashion, touching upon public administration and planning. The text outlines theories of battle but also advocates diplomacy and cultivating relationships with other nations as essential to the health of a state.The Art of War is listed on the Marine Corps Professional Reading Program (formerly known as the Commandant's Reading List). It is recommended reading for all United States Military Intelligence personnel and is required reading for all CIA officers.
In 1972, scholars uncovered a collection of ancient texts written on unusually well-preserved bamboo slips. Among them were the Art of War and Sun Bin's Military Methods. Although Han Dynasty bibliographies noted the latter publication as extant and written by a descendant of Sun, it had since been lost. The finding of Sun Bin's work is considered to be extremely important, both because of Sun Bin's relationship to Sun Tzu, and because of the work's addition to the body of military thought in late Chinese antiquity. The discovery as a whole significantly expanded the body of surviving Warring States military theory. Sun Bin's treatise is the only known military text surviving from the Warring States period discovered in the twentieth century, and bears the closest similarity to the Art of War of all surviving texts.

Historicity

Scholars have expressed doubt in Sun Tzu's historicity and the traditional dating of the Art of War. The skepticism is fueled by factors that include historical inaccuracies and anachronisms in the text, as well as the unlikelihood of the execution of the king's favorite concubines. Increasing skepticism, which sometimes cause scholars to completely deny the existence of a historical figure named Sun Wu (Sun Tzu), has led to acrimonious debate between skeptics and traditionalists, especially in China. Attribution of the Art of War's authorship varies among scholars, and have included people and movements including Sun; Chu scholar Wu Zixu; an unknown author; a school of thought in Qi or Wu; Sun Bin, and others.
Traditionalists attribute the authorship of The Art of War to the historical figure Sun Wu, who is chronicled in the Records of the Grand Historian and the Spring and Autumn Annals. He was reputedly active in the late 6th century BC, beginning c. 512 BC. The appearance of features from the Art of War in other historical texts is considered to be proof of his historicity and authorship. Certain strategic concepts, such as terrain classification, are attributed to Sun Tzu. Their use in other works, such as by the compilers of the Methods of the Sima, is considered proof of Sun Tzu's historical priority.
Scholars that identify issues with the traditionalist view point to anachronisms in the Art of War that include terms, technology, philosophical ideas, events, and military techniques. There is a disparity between the large scale wars and sophisticated techniques detailed in the text, and the more primitive small scale battles that predominated the 6th century BC. However, according to Ralph D. Sawyer, it is very likely Sun Tzu did actually exist and not only served as a general, but also wrote the core of the book that bears his name. The teachings were probably taught to the succeeding generations in the family or a small school of disciples, including Sun-Tzu's descendant, Sun Pin, and were revised and expanded upon.

Legacy

Sun Tzu's Art of War has influenced many notable figures. Traditional histories recount that the first emperor of a unified China, Qin Shi Huang, considered the book invaluable in ending the Age of Warring States. The Art of War was introduced in Japan, c. AD 760, and the book quickly became popular among Japanese generals. The work also significantly influenced the unification of Japan. Mastery of its teachings was honored among the samurai, and its teachings were both exhorted and exemplified by influential daimyos and shoguns, such as Oda Nobunaga, Toyotomi Hideyoshi, and Tokugawa Ieyasu.[18]
Historians popularly recount how French emperor Napoleon studied Sun's military writings and used them to successfully wage war against the rest of Europe. The emperor's disregard for central principles such as attentiveness to temporal conditions is largely credited for his eventual defeat in Russia. Admiral of the Fleet Tōgō Heihachirō, who led Japan's forces to victory against Russia in the Russo-Japanese War, was an avid reader of The Art of War.
Communist Chinese leader Mao Zedong partially credited his victory over Chiang Kai-shek and the Kuomintang in 1949 to The Art of War. The work strongly influenced Mao's writings about guerrilla warfare, which further influenced communist insurgencies around the world.
General Vo Nguyen Giap, the military mastermind behind victories over French and American forces in Vietnam, was an avid student and practitioner of Sun Tzu's ideas. America's defeat here, more than any other event, brought Sun Tzu to the attention of American military leaders. Ho Chi Minh translated the work for his Vietnamese officers to study.
The Department of the Army in the United States, through its Command and General Staff College, has directed all units to maintain libraries within their respective headquarters for the continuing education of personnel in the art of war. The Art of War is mentioned as an example of works to be maintained at each individual unit, and staff duty officers are obliged to prepare short papers for presentation to other officers on their readings.
Sun Tzu's The Art of War is listed on the Marine Corps Professional Reading Program (formerly known as the Commandant's Reading List).During the Persian Gulf War in the 1990s, both General Norman Schwarzkopf, Jr. and General Colin Powell practiced Sun Tzu's principles of deception, speed, and attacking the enemy's weakness.
Mark McNeilly writes in Sun Tzu and the Art of Modern Warfare that a modern interpretation of Sun and his importance throughout Chinese history is critical in understanding China's push to becoming a superpower in the 21st century. Modern Chinese scholars explicitly rely on historical strategic lessons and The Art of War in developing their theories, seeing a direct relationship between their modern struggles and those of China in Sun Tzu's time. There is a great perceived value in Sun Tzu's teachings and other traditional Chinese writers, which are used regularly in developing the strategies of the Chinese state and its leaders.
Sun Jian and his sons Sun Quan and Sun Ce, military leaders during the Three Kingdoms period, claimed to be descendants of Sun Tzu. Sun Quan would eventually go on to become the King of the kingdom Wu.



Mencius

Mencius (c. 372-289 BCE)

Better known in China as “Master Meng” (Chinese: Mengzi), Mencius was a fourth-century BCE Chinese thinker whose importance in the Confucian tradition is second only to that of Confucius himself. In many ways, he played the role of St. Paul to Confucius’ Jesus, interpreting the thought of the master for subsequent ages while simultaneously impressing Confucius’ ideas with his own philosophical stamp. He is most famous for his theory of human nature, according to which all human beings share an innate goodness that either can be cultivated through education and self-discipline or squandered through neglect and negative influences, but never lost altogether. While it is not clear that Mencius’ views prevailed in early Chinese philosophical circles, they eventually won out after gaining the support of influential medieval commentators and thinkers such as Zhu Xi (Chu Hsi, 1130-1200 CE) and Wang Yangming (1472-1529 CE). (See Romanization systems for Chinese terms.) Today contemporary philosophical interest in evolutionary psychology and sociobiology has inspired fresh appraisals of Mencius, while recent philological studies question the coherence and authenticity of the text that bears his name. Mencius remains a perennially attractive figure for those intrigued by moral psychology, of which he was the foremost practitioner in early China.

The Mencius of History

Like the historical Confucius, the historical Mencius is available only through a text that, in its complete form at least, postdates his traditional lifetime (372-289 BCE). The philological controversy surrounding the date and composition of the text that bears his name is far less intense than that which surrounds the Confucian Analects, however. Most scholars agree that the entire Mencius was assembled by Mencius himself and his immediate disciples, perhaps shortly after his death. The text records several encounters with various rulers during Mencius’ old age, which can be dated between 323 and 314 BCE, making Mencius an active figure no later than the late fourth century BCE.
The other major source of information about Mencius’ life is the biography found in the Shiji (Records of the Grand Historian) of Sima Qian (c. 145-90 BCE), which states that he was a native of Zou (Tsou), a small state near Confucius’ home state of Lu in the Shandong peninsula of northeastern China. He is said to have studied with Confucius’ grandson, Zisi (Tzu-ssu), although most modern scholars doubt this. He also is thought to have become a minister of the state of Qi (Ch’i), which also was famous as the home of the Jixia (Chi-hsia) Academy. The Jixia Academy was a kind of early Chinese “think tank” sponsored the ruler of Qi that produced, among other thinkers, Mencius’ later opponent Xunzi (Hsun-tzu, 310-220 BCE).
Mencius was born in a period of Chinese history known as the Warring States (403-221 BCE), during which various states competed violently against one another for mastery of all of China, which once was unified under the Zhou dynasty until its collapse, for all intents and purposes, in 771 BCE. It was a brutal and turbulent era, which nonetheless gave rise to many brilliant philosophical movements, including the Confucian tradition of which Mencius was a foremost representative. The common intellectual and political problem that Warring States thinkers hoped to solve was the problem of China’s unification. While no early Chinese thinker questioned the need for autocratic rule as an instrument of unification, philosophers differed on whether and how the ruler ought to consider moral limitations on power, traditional religious ceremonies and obligations, and the welfare of his subjects.
Into the philosophical gap created by a lack of political unity and increasing social mobility stepped members of the shi (“retainer” or “knight”) class, from which both Confucius and Mencius arose. As feudal lords were defeated and disenfranchised in battle and the kings of the various warring states began to rely on appointed administrators rather than vassals to govern their territories, these shi became lordless anachronisms and fell into genteel poverty and itinerancy. Their knowledge of aristocratic traditions, however, helped them remain valuable to competing kings, who wished to learn how to regain the unity imposed by the Zhou and who sought to emulate the Zhou by patterning court rituals and other institutions after those of the fallen dynasty.
Thus, a new role for shi as itinerant antiquarians emerged. In such roles, shi found themselves in and out of office as the fortunes of various patron states ebbed and flowed. Mencius’ office in the state of Qi probably was no more than an honorary title. While out of office, veteran shi might gather small circles of disciples – young men from shi backgrounds who wished to succeed in public life – and seek audiences with rulers who might give them an opportunity to put their ideas into practice. The text of the Mencius claims to record Mencius’ teachings to his disciples as well as his dialogues with the philosophers and rulers of his day.

The Mencius of the Text

Mencius inherits from Confucius a set of terms and a series of problems. In general, one can say that where Confucius saw a unity of inner and outer – in terms of li (ritual propriety), ren (co-humanity), and the junzi (profound person)-xiaoren (small person) distinction – Mencius tends to privilege the inner aspects of concepts, practices, and identities. For Mencius, the locus of philosophical activity and self-cultivation is the xin (hsin), a term that denotes both the chief organ of the circulatory system and the organ of thought, and hence is translated here and in many other sources as “heart-mind.” Mencius’ views of the divine, political organization, human nature, and the path toward personal development all start and end in the heart-mind.
Mencius’ philosophical concerns, while scattered across the seven books of the text that bears his name, demonstrate a high degree of consistency unusual in early Chinese philosophical writing. They can be categorized into four groups:
  • Theodicy
  • Government
  • Human Nature
  • Self-Cultivation

Theodicy

Again, as with Confucius, so too with Mencius. From late Zhou tradition, Mencius inherited a great many religious sensibilities, including theistic ones. For the early Chinese (c. 16th century BCE), the world was controlled by an all-powerful deity, “The Lord on High” (Shangdi), to whom entreaties were made in the first known Chinese texts, inscriptions found on animal bones offered in divinatory sacrifice. As the Zhou polity emerged and triumphed over the previous Shang tribal rule, Zhou apologists began to regard their deity, Tian (“Sky” or “Heaven”) as synonymous with Shangdi, the deity of the deposed Shang kings, and explained the decline of Shang and the rise of Zhou as a consequence of a change in Tianming (“the mandate of Heaven”). Thus, theistic justifications for conquest and rulership were present very early in Chinese history.
By the time of Mencius, the concept of Tian appears to have changed slightly, taking on aspects of “fate” and “nature” as well as “deity.” For Confucius, Tian provided personal support and sanction for his sense of historical mission, while at the same time prompting Job-like anxiety during moments of ill fortune in which Tian seemed to have abandoned him. Mencius’ faith in Tian as the ultimate source of legitimate moral and political authority is unshakeable. Like Confucius, he says that “Tian does not speak – it simply reveals through deeds and affairs” (5A5). He ascribes the virtues of ren (co-humanity), yi (rightness), li (ritual propriety), zhi (wisdom), and sheng (sagehood) to Tian (7B24) and explicitly compares the rule of the moral king to the rule of Tian (5A4).
Mencius thus shares with Confucius three assumptions about Tian as an extrahuman, absolute power in the universe: (1) its alignment with moral goodness, (2) its dependence on human agents to actualize its will, and (3) the variable, unpredictable nature of its associations with mortal actors. To the extent that Mencius is concerned with justifying the ways of Tian to humanity, he tends to do so without questioning these three assumptions about the nature of Tian, which are rooted deep in the Chinese past, as his views on government, human nature, and self-cultivation will show.

Government

The dependence of Tian upon human agents to put its will into practice helps account for the emphasis Mencius places on the satisfaction of the people as an indicator of the ruler’s moral right to power, and on the responsibility of morally-minded ministers to depose an unworthy ruler. In a dialogue with King Xuan of Qi (r. 319-301 BCE), Mencius says:
The people are to be valued most, the altars of the grain and the land [traditional symbols of the vitality of the state] next, the ruler least. Hence winning the favor of the common people you become Emperor…. (7B14)
When the ruler makes a serious mistake they admonish. If after repeated admonishments he still will not listen, they depose him…. Do not think it strange, Your Majesty. Your Majesty asked his servant a question, and his servant dares not fail to answer it directly. (5B9)
Mencius’ replies to King Xuan are bracingly direct, in fact, but he can be coy. When the king asks whether it is true that various sage kings (Tang and Wu) rebelled against and murdered their predecessors (Jie and Zhou), Mencius answers that it is true. The king then asks:
“Is it permissible for a vassal to murder his lord?”
Mencius replied, “One who robs co-humanity [ren] you call a `robber’; one who robs the right [yi] you call a `wrecker’; and one who robs and wrecks you call an `outlaw.’ I have heard that [Wu] punished the outlaw Zhou – I have not heard that he murdered his lord. (1B8)
In other words, Wu was morally justified in executing Zhou, because Zhou had proven himself to be unworthy of the throne through his offenses against ren and yi – the very qualities associated with the Confucian exemplar (junzi) and his actions. This is an example of Mencius engaging in the “rectification of names” (zhengming), an exercise that Confucius considered to be prior to all other philosophical activity (Analects 13.3).
While Mencius endorses a “right of revolution,” he is no democrat. His ideal ruler is the sage-king, such as the legendary Shun, on whose reign both divine sanction and popular approval conferred legitimacy:
When he was put in charge of sacrifices, the hundred gods delighted in them which is Heaven accepting him. When he was put in charge of affairs, the affairs were in order and the people satisfied with him, which is the people accepting him. Heaven gave it [the state] to him; human beings gave it to him. (5A5)
Mencius proposes various economic plans to his monarchical audiences, but while he insists on particular strategies (such as dividing the land into five-acre settlements planted with mulberry trees), he rejects the notion that one should commit to an action primarily on the grounds that it will benefit one, the state, or anything else. What matters about actions is whether they are moral or not; the question of their benefit or cost is beside the point. Here, Mencius reveals his antipathy for – and competition with – philosophers who followed Mozi, a fifth-century BCE contemporary of Confucius who propounded a utilitarian theory of value based on li (benefit):
Why must Your Majesty say “benefit” [li]? I have only the co-humane [ren] and the right [yi]. (1A1)
In the end, Mencius is committed to a type of benevolent dictatorship, which puts moral value before pragmatic value and in this way seeks to benefit both ruler and subjects. The sage-kings of antiquity are a model, but one cannot simply adopt their customs and institutions and expect to govern effectively (4A1). Instead, one must emulate the sage-kings both in terms of outer structures (good laws, wise policies, correct rituals) and in terms of inner motivations (placing ren and yi first). Like Confucius, Mencius places an enormous amount of confidence in the capacity of the ordinary person to respond to an extraordinary ruler, so as to put the world in order. The question is, how does Mencius account for this optimism in light of human nature?

Human Nature

Mencius is famous for claiming that human nature (renxing) is good. As with most reductions of philosophical positions to bumper-sticker slogans, this statement oversimplifies Mencius’ position. In the text, Mencius takes a more careful route in order to arrive at this view. Following A. C. Graham, one can see his argument as having three elements: (1) a teleology, (2) a virtue theory, and (3) a moral psychology.

Teleology

Mencius’ basic assertion is that “everyone has a heart-mind which feels for others.” (2A6) As evidence, he makes two appeals: to experience, and to reason. Appealing to experience, he says:
Supposing people see a child fall into a well – they all have a heart-mind that is shocked and sympathetic. It is not for the sake of being on good terms with the child’s parents, and it is not for the sake of winning praise for neighbors and friends, nor is it because they dislike the child’s noisy cry. (2A6)
It is important to point out here that Mencius says nothing about acting on this automatic affective-cognitive response to suffering that he ascribes to the bystanders at the well tragedy. It is merely the feeling that counts. Going further and appealing to reason, Mencius argues:
Judging by this, without a heart-mind that sympathizes one is not human; without a heart-mind aware of shame, one is not human; without a heart-mind that defers to others, one is not human; and without a heart-mind that approves and condemns, one is not human. (2A6)
Thus, Mencius makes an assertion about human beings – all have a heart-mind that feels for others – and qualifies his assertion with appeals to common experience and logical argument. This does little to distinguish him from other early Chinese thinkers, who also noticed that human beings were capable of altruism as well as selfishness. What remains is for him to explain why other thinkers are incorrect when they ascribe positive evil to human nature – that human beings are such that they actively seek to do wrong.

Virtue Theory

Mencius goes further and identifies the four basic qualities of the heart-mind (sympathy, shame, deference, judgment) not only as distinguishing characteristics of human beings – what makes the human being qua human being really human – but also as the “sprouts” (duan) of the four cardinal virtues:
A heart-mind that sympathizes is the sprout of co-humanity [ren]; a heart-mind that is aware of shame is the sprout of rightness [yi]; a heart-mind that defers to others is the sprout of ritual propriety [li]; a heart-mind that approves and condemns is the sprout of wisdom [zhi]…. If anyone having the four sprouts within himself knows how to develop them to the full, it is like fire catching alight, or a spring as it first bursts through. If able to develop them, he is able to protect the entire world; if unable, he is unable to serve even his parents. (2A6)
Now the complexity of Mencius’ seemingly simplistic position becomes clearer. What makes us human is our feelings of commiseration for others’ suffering; what makes us virtuous – or, in Confucian parlance, junzi – is our development of this inner potential. To paraphrase Irene Bloom on this point, there is no sharp conflict between “nature” and “nurture” in Mencius; biology and culture are co-dependent upon one another in the development of the virtues. If our sprouts are left untended, we can be no more than merely human – feeling sorrow at the suffering of another, but unable or unwilling to do anything about it. If we tend our sprouts assiduously — through education in the classical texts, formation by ritual propriety, fulfillment of social norms, etc. – we can not only avert the suffering of a few children in some wells, but also bring about peace and justice in the entire world. This is the basis of Mencius’ appeal to King Hui of Liang (r. 370-319 BCE):
[The king] asked abruptly, “How shall the world be settled?”
“It will be settled by unification,” I [Mencius] answered.
“Who will be able to unify it?”
“Someone without a taste for killing will be able to unify it…. Has Your Majesty noticed rice shoots? If there is drought during the seventh and eighth months, the shoots wither, but if dense clouds gather in the sky and a torrent of rain falls, the shoots suddenly revive. When that happens, who could stop it? … Should there be one without a taste for killing, the people will crane their necks looking out for him. If that does happen, the people will go over to him as water tends downwards, in a torrent – who could stop it? (1A6)
Mencius devotes some energy to arguing that “rightness” (yi) is internal, rather than external, to human beings. He does so using examples taken from that quintessentially Confucian arena of human relations, filial piety (xiao). Comparing the rightness that manifests itself in filial piety to such visceral activities as eating, drinking, and sexual intercourse, Mencius points out that, just as one’s attraction or repulsion regarding these activities is determined by one’s internal orientation (hunger, thirst, lust), one’s filial behavior is determined by one’s inner attitudes, as the following imaginary dialogue with one of his opponents shows:
[Ask the opponent] “Which do you respect, your uncle or your younger brother?” He will say, “My uncle.” “When your younger brother is impersonating an ancestor at a sacrifice, then which do you respect?” He will say, “My younger brother.” You ask him, “What has happened to your respect for your uncle?” He will say, “It is because of the position my younger brother occupies.” (6A5)
In other words, the rightness that one manifests in filial piety is not dependent on fixed, external categories, such as the status of one’s younger brother qua younger brother or one’s uncle qua one’s uncle. If it were, one always would show respect to one’s uncle and never to one’s younger brother or anyone else junior to oneself. But as it happens, shifts in external circumstances can effect changes in status; one’s younger brother can temporarily assume the status of a very senior ancestor in the proper ritual context, thus earning the respect ordinarily given to seniors and never shown to juniors. For Mencius, this demonstrates that the internal orientation of the agent (e.g., rightness) determines the moral value of given behaviors (e.g., filial piety).
Having made a teleological argument from the inborn potential of human beings to the presumption of virtues that can be developed, Mencius then offers his sketch of moral psychology – the structures within the human person that make such potential identifiable and such development possible.

Moral Psychology

The primary function of Mencius’ moral psychology is to explain how moral failure is possible and how it can be avoided. As Antonio S. Cua has noted, for Mencius, moral failure is the failure to develop one’s xin (heart-mind). In order to account for the moral mechanics of the xin, Mencius offers a quasi-physiological theory involving qi (vital energy) – “a hard thing to speak about” (2A2), part vapor, part fluid, found in the atmosphere and in the human body, that regulates affective-cognitive processes as well as one’s general well-being. It is especially abundant outdoors at night and in the early morning, which is why taking fresh air at these times can act as a physical and spiritual tonic (6A8). When Mencius is asked about his personal strengths, he says:
I know how to speak, and I am good at nourishing my flood-like qi. (2A2)
It is interesting to note the apparent link between powers of suasion – essential for any itinerant Warring States shi, whether official or teacher – and “flood-like qi.” The goal of Mencian self-cultivation is to bring one’s qi, xin, and yan (words) together in a seamless blend of rightness (yi) and ritual propriety (li). Mencius goes on to describe what he means by “flood-like qi“:
It is the sort of qi that is utmost in vastness, utmost in firmness. If, by uprightness, you nourish it and do not interfere with it, it fills the space between Heaven and Earth. It is the sort of qi that matches the right [yi] with the Way [Dao]; without these, it starves. It is generated by the accumulation of right [yi] – one cannot attain it by sporadic righteousness. If anything one does fails to meet the standards of one’s heart-mind, it starves. (2A2)
It is here that Mencius is at his most mystical, and recent scholarship has suggested that he and his disciples may have practiced a form of meditative discipline akin to yoga. Certainly, similar-sounding spiritual exercises are described in other early Chinese texts, such as the Neiye (“Inner Training”) chapter of the Guanzi (Kuan-tzu, c. 4th-2nd centuries BCE). It also is at this point that Mencius seems to depart most radically from what is known about the historical Confucius’ teachings. While faint glimpses of what may be ascetic and meditative disciplines sometimes appear in the Analects, nowhere in the text are there detailed discussions of nurturing one’s qi such as can be found in Mencius 2A2.
In spite of the mystical tone of this passage, however, all that the text really says is that qi can be nurtured through regular acts of “rightness” (yi). It goes on to say that qi flows from one’s xin (2A2), that one’s xin must undergo great discipline in order to produce “flood-like qi” (6B15), and that a well-developed xin will manifest itself in radiance that shines from one’s qi into one’s face and general appearance (7A21). In short, here is where Mencius’ case for human nature seems to leave philosophy and reasoned argumentation behind and step into the world of ineffability and religious experience. There is no reason, of course, why Mencius shouldn’t take this step; as Alan K. L. Chan has pointed out, ethics and spirituality are not mutually exclusive, either in the Mencius or elsewhere.
To sum up, both biology and culture are important for Mencian self-cultivation, and so is Tian. “By fully developing one’s heart-mind, one knows one’s nature, and by knowing one’s nature, one knows Heaven.” (7A1) One cannot help but begin with “a heart-mind that feels for others,” but the journey toward full humanity is hardly complete without having taken any steps beyond one’s birth. Guided by the examples of ancient sages and the ritual forms and texts they have left behind, one starts to develop one’s heart-mind further by nurturing its qi through habitually doing what is right, cultivating its “sprouts” into virtues, and bringing oneself up and out from the merely human to that which Tian intends for one, which is to become a sage. Nature is crucial, but so is nurture. Mencius’ model of moral psychology is both a “discovery” model (human nature is good) and a “development” model (human nature can be made even better):
A person’s surroundings transform his qi just as the food he eats changes his body. (7A36)

Key Interpreters of Mencius

Detailed discussion of Mencius’ key interpreters is best reserved for an article on Confucian philosophy. Nonetheless, an outline of the most important commentators and their philosophical trajectories is worth including here.
The two best known early interpreters of Mencius’ thought – besides the compilers of the Mencius themselves – are the Warring States philosophers Gaozi (Kao-tzu, 300s BCE) and Xunzi (Hsun-tzu, 310-220 BCE). Gaozi, who is known only from the Mencius, evidently knew Mencius personally, but Xunzi knew him only retrospectively. Both disagreed with Mencius’ views on human nature.
Gaozi’s dialogue with Mencius on human nature can be found in book six of the Mencius, in which both Mencius’ disciples and Gaozi himself question him on his points of disagreement with Gaozi. Gaozi – whom later Confucians identified, probably anachronistically, as a Daoist — offers multiple hypotheses about human nature, each of which Mencius refutes in Socratic fashion. Gaozi first argues that human nature is neither bad nor good, and presents two organic metaphors for its moral neutrality: wood (which can be carved into any object) and water (which can be made to flow east or west).
Challenging the carved wood metaphor, Mencius points out that in carving wood into a cup or bowl, one violates the wood’s nature, which is to become a tree. Does one then violate a human being’s nature by training him to be good? No, he says, it is possible to violate a human being’s nature by making him bad, but his nature is to become good. As for the water metaphor, Mencius rejects it by remarking that human nature flows to the good, just as water’s nature flows down. It is possible to make people bad, just as it is possible to make water flow up – but neither is a natural process or end. “Although man can be made to become bad, his nature remains as it was.” (6A2)
Like Mencius, Xunzi claims to interpret Confucius’ thought authentically, but leavens it with his own contributions. While neither Gaozi nor Mencius is willing to entertain the notion that human beings might originally be evil, this is the cornerstone of Xunzi’s position on human nature. Against Mencius, Xunzi defines human nature as what is inborn and unlearned, and then asks why education and ritual are necessary for Mencius if people really are good by nature. Whereas Mencius claims that human beings are originally good but argues for the necessity of self-cultivation, Xunzi claims that human beings are originally bad but argues that they can be reformed, even perfected, through self-cultivation. Also like Mencius, Xunzi sees li as the key to the cultivation of renxing.
Although Xunzi condemns Mencius’ arguments in no uncertain terms, when one has risen above the smoke and din of the fray, one may see that the two thinkers share many assumptions, including one that links each to Confucius: the assumption that human beings can be transformed by participation in traditional aesthetic, moral, and social disciplines. (Gaozi’s metaphor of carved wood, incidentally, is one of Xunzi’s favorites.) Through an accident of history, Mencius had no occasion to meet Xunzi and thus no opportunity to refute his arguments, but if he had, he might have replied that Xunzi cannot truly believe in the original depravity of human beings, or else he could not place such great faith in the morally-transformative power of culture.
Later interpreters of Mencius’ thought between the Tang and Ming dynasties are often grouped together under the label of “Neo-Confucianism.” This term has no cognate in classical Chinese, but is useful insofar as it unites several thinkers from disparate eras who share common themes and concerns. Thinkers such as Zhang Zai (Chang Tsai, 1020-1077 CE), Zhu Xi (Chu Hsi, 1130-1200 CE) and Wang Yangming (1472-1529 CE), while distinct from one another, agree on the primacy of Confucius as the fountainhead of the Confucian tradition, share Mencius’ understanding of human beings as innately good, and revere the Mencius as one of the “Four Books” — authoritative textual sources for standards of ritual, moral, and social propriety. Zhang Zai’s interest in qi as the unifier of all things surely must have been stimulated by Mencius’ theories, while Wang Yangming’s search for li (cosmic order or principle) in the heart-mind evokes Mencius 6A7: “What do all heart-minds have in common? Li [cosmic order] and yi [rightness].” Both thinkers also display a bent toward the cosmological and metaphysical which disposes them toward the mysticism of Mencius 2A2, and betrays the influence of Buddhism (of which Mencius knew nothing) and Daoism (of which Mencius indicates little knowledge) on their thought.
During the Qing (Ch’ing) dynasty (1644-1911 CE), late Confucian thinkers such as Dai Zhen (Tai Chen, 1724-1777 CE) developed critiques of Xunzi that aimed at the vindication of Mencius’ position on human nature. Kwong-loi Shun has pointed out that Dai Zhen’s defense of Mencius actually owes more to Xunzi than to Mencius, particularly in regard to how Dai Zhen sees one’s heart-mind as learning to appreciate li (cosmic order) and yi (rightness), rather than naturally taking pleasure in such things, as Mencius would have it. Although Dai Zhen shares Mencius’ view of the centrality of the heart-mind in moral development, in the end, he does not ascribe to the heart-mind the same kind of ethical directionality that Mencius finds there.
More recently, the philosophers Roger Ames and Donald Munro have developed postmodern readings of Mencius that involve contemporary developments such as process thought and evolutionary psychology. Although their philosophical points of departure differ, both Ames and Munro share a distaste for the prominence of Tian in Mencius’ thought, and each seeks in his own way to separate the “essence” of Mencian thought from the “dross.” For Ames, the “essence” – although, as a postmodern thinker, he rejects any notion of “essentialism” – is Mencius’ “process” model of human nature and the cosmos, while the “dross” is Mencius’ understanding of Tian as transcendent, which (in Ames’ reading) undermines human agency. For Munro, the “essence” is Mencius’ grounding ethics in inborn nature, while the “dross” is Mencius’ appeals to Tian as the author of that inborn nature. Their work is an attempt to make Mencius not only intelligible, but also valuable, to contemporary Westerners. At the same time, critics have noted that much of the authentic Mencius may be discarded on the cutting room floor in this process of reclaiming him for contemporary minds. One thinks of David Nivison’s warning to philosophers, past and present, not to indulge in “wishful thinking” and excise or explain away what one does not wish to see in the Mencius.
This cursory review of some important interpreters of Mencius’ thought illustrates a principle that ought to be followed by all who seek to understanding Mencius’ philosophical views: suspicion of the sources. Almost all of our sources for reconstructing Mencius’ views postdate him or come from a hand other than his own, and thus all should be used with caution and with an eye toward possible influences from outside of fourth century BCE China.

 

  http://www.iep.utm.edu/mencius/

 

 

Huwebes, Setyembre 22, 2011

Mahabharata and Ramayana

Mahabharata and Ramayana

The Story of the Mahabharata Briefly

In some ways, the entire story of the Mahabharata is an explanation of how our world, the world of the Kali Yuga, came into being, and how things got to be as bad as they are. The Ramayana has its share of suffering and even betrayal, but nothing to match the relentless hatred and vengeance of the Mahabharata. The culmination of the Mahabharata is the Battle of Kurukshetra when two bands of brothers, the Pandavas and the Kauravas, the sons of two brothers and thus cousins to one another, fight each other to death, brutally and cruelly, until the entire race is almost wiped out.
The five sons of Pandu, the Pandavas, are the heroes of the story. The eldest is Yudhishthira, the King. Next is Bhima, an enormously strong fighter with equally enormous appetites. After Bhima is Arjuna, the greatest of the warriors, and the companion of Krishna. The last two are twins, Nakula and Sahadeva. These five brothers share one wife, Draupadi (she became the wife of all five of them by accident, as you will learn).
The enemies of the Pandavas are the Kauravas, who are the sons of Pandu's brother, Dhritarashtra. Although Dhritarashtra is still alive, he cannot manage to restrain his son Duryodhana, who bitterly resents the achievements of his cousins, the Pandavas. Duryodhana arranges for his maternal uncle to challenge Yudhishthira to a game of dice, and Yudhishthira gambles everything away, even himself. The Pandavas have to go into exile, but when they return they engage the Kauravas in battle. Krishna fights on the side of the Pandavas, and serves as Arjuna's charioteer. The famous "Song of the Lord," or Bhagavad-Gita, is actually a book within the Mahabharata, as the battle of Kurukshetra begins. When Arjuna faces his cousins on the field of battle, he despairs and sinks down, unable to fight. The Bhagavad-Gita contains the words that Krishna spoke to Arjuna at that moment.
The Pandavas do win the battle. Duryodhana is killed, and the Kaurava armies are wiped out. But it is hardly a happy ending. Yudhishthira becomes king, but the world is forever changed by the battle's violence. If you are familiar with the Iliad, you might remember how that epic ends with the funeral of the Trojan hero Hector, a moment which is utterly bleak and sad. The same is true for the Mahabharata. There are many truths that are learned in the end, but the victory, such as it is, comes at a terrible price.

The Story of the Ramayana Briefly

So, just to let you know what you are in for, here is a very brief summary of the Ramayana, the adventures of lord Rama. Rama is the son of King Daśaratha, but he is also an incarnation of the god Vishnu, born in human form to do battle with the demon lord Ravana. Ravana had obtained divine protection against other demons, and even against the gods - but because he scorned the world of animals and men, he had not asked for protection from them. Therefore, Vishnu incarnated as a human being in order to put a stop to Ravana. King Daśaratha has three other sons besides Rama. There is Lakshmana, who is devoted to Rama. There is also Bharata, the son of Daśaratha's pretty young wife Kaikeyi, and finally there is Śatrughna, who is as devoted to Bharata as Lakshmana is to Rama.
When Daśaratha grows old, he decides to name Rama as his successor. Queen Kaikeyi, however, is outraged. She manages to compel Daśaratha to name their son Bharata as his successor instead, and to send Rama into exile in the forest. Rama agrees to go into exile, and he is accompanied by his wife Sita and his brother Lakshmana. When their exile is nearly over, Sita is abducted by the evil Ravana who carries her off to Lanka city (on the island of Sri Lanka). Rama and Lakshmana follow in pursuit, and they are aided by the monkey lord, Hanuman, who is perfectly devoted to Rama.
After many difficulties and dangers, Rama finally confronts Ravana and defeats him in battle. What happens after that is a matter of some dispute in the different versions of the Ramayana. Did Rama accept Sita back into his household? Or did he send her away because she had been in the possession of another male? You will see different versions of the ending in the two different editions of the Ramayana that you will read for this class.

A Digression About Time
In historical terms, the events of the Ramayana are supposed to precede the events of the Mahabharata. The time periods of Hindu mythology are called "yugas", and the world as we know it goes through a cycle of four yugas. Sometimes these four yugas are compared to a cow standing on four legs. In the "Best Age," the Krita Yuga, the cow is standing on all four legs. In the next age, the Treta Yuga, or "Age of Three," the cow is standing on only three legs and is slightly teetering, and so the world is slightly corrupted. In the next age, the "Age of Two," or Dwapara Yuga, there is only half as much righteousness in the world as there used to be, like a cow standing on only two legs. This is followed by the worst age, the Kali Yuga, where there is only one-fourth of the world's original righteousness remaining. As a result, the world of the Kali Yuga has become extremely corrupt and utterly unstable. The cow is standing on just one leg!
The events of the Ramayana take place in the Treta Yuga, when the world is only somewhat corrupted. The events of the Mahabharata take place much later, at the end of the Dwapara Yuga, the "Age of Two," when the world is far more grim and corrupt than in Rama's times. The violent and tragic events at the end of the Mahabharata mark the end of the Dwapara Yuga and the beginning of the Kali Yuga, the worst age of the world.
We are living in the Kali Yuga, in case you were wondering...


http://www.mythfolklore.net/india/orientation/content_2.htm 

http://www.sacred-texts.com/hin/dutt/

Literature Roman Empire

Literature Roman Empire

Roman literature, which had risen to its highest excellence under Augustus, declined rapidly under his successors, and was finally lost with the fall of the Western empire. The language was no longer pure, and neither prose nor poetry retained the harmony and elegance of the Augustan age. A certain sadness and discontent, which marks all the later literature, forms also a striking contrast with the cheerful tone of the earlier writers. Every part of the empire, however, abounded with men of letters, and a high degree of mental cultivation seems every where to have prevailed.
Epic poetry continued to nourish, and Virgil found many imitators. The best epic writer of this period was M. Annæus Lucanus, who was born at Corduba, in Spain, in the year A.D. 38. Lucan was educated at Rome under the Stoic Cornutus, and was introduced by his uncle Seneca to the Emperor Nero. Having for a time enjoyed the patronage of Nero, he at length became the object of his jealousy and hatred, was accused of having taken part in Piso's conspiracy, and was condemned to death. He was allowed, as a favor, to put an end to his own life, and thus died, A.D. 65. Although so young, for he was scarcely twenty-seven years of age, Lucan, besides several shorter poems, produced the Pharsalia, an epic, of which he finished only ten books: it relates the wars between Cæsar and Pompey, and contains many fine thoughts and striking images. He evidently prefers Pompey to Cæsar, and possessed a strong love for liberty, which lends vigor to his verses. His language is pure, his rhythm often harmonious, but he never attains the singular delicacy and sweetness of his master, Virgil.
C. Silius Italicus, the place of whose birth is unknown, also lived during the reign of Nero, and was Consul in the year A.D. 68. He was a Stoic, and put an end to his own life in the year A.D. 100, when he was about seventy-five years of age. His poem, the Punica, is an account of the second Punic War in verse, and is chiefly valuable to the historical student. He had little inventive power, and takes but a low rank in poetry.
P. Papinius Statius, the son of the teacher of the Emperor Domitian, was carefully educated at Rome, and became renowned at an early age for his poetical talents. He spent the last years of his life at Naples, which was also the place of his birth, and died there in the year A.D. 96. He wrote the Thebais, in twelve parts; the Achilleis, in two books; the Sylvæ, a collection of poems; a tragedy, and other works. He seems to have borrowed much from earlier Greek writers, but was possessed of considerable poetical fervor.
Claudius Claudianus, who lived under Theodosius the Great and his two sons, was probably born and educated at Alexandria, but we know little of his history. He came to Rome about A.D. 395, and, under the patronage of Stilicho, rose to a high position in the state. The time and place of his death are unknown. His chief works were, 1. Raptus Proserpinæ, an unfinished poem in three parts; 2. Gigantomachia, another unfinished work; 3. De Bello Gildonico, of which we possess only the first book; and, 4. De Bello Getico, in which the poet sings the victory of Stilicho over Alaric at Pollentia. His poems have a rude vigor which sometimes strikes the attention, but are chiefly valued for the light they throw upon the Gothic wars. They are marked by many faults of taste.
Lyric poetry was little cultivated at Rome after the death of Horace; but satire, which was peculiar to the Romans, reached its highest excellence under the empire. Juvenal is still the master of this kind of writing, although he has been imitated by Boileau, Pope, and Johnson; and his contemporary Persius was also a writer of great power.
Aulus Persius Flaccus was born at Volaterræ, in Etruria, in the year A.D. 34, of a distinguished family of the equestrian rank. He was educated at Rome under the best masters, particularly under the Stoic Cornutus, with whom he lived in close friendship, as well as with Lucan, Seneca, and the most distinguished men of his time. He died at the early age of twenty-eight, leaving behind him six satires and a brief preface. Persius possessed a generous, manly character, was the foe of every kind of vice, and formed one of that graceful band of writers who maintained their independence under the terrors of a despotic government.
Decimus Junius Juvenalis, of whose life we have few particulars, was born at Aquinum A.D. 38 or 40, and came up to Rome, where he at first studied eloquence with great ardor, but at length gave himself wholly to satirical writing. He offended Domitian by his satires, it is said, and was sent by that emperor to the extreme boundary of Egypt, where he died of grief and exile; but scarcely any fact in the history of this great man has been perfectly ascertained.
We possess sixteen satires of Juvenal, the last of which, however, is of doubtful authenticity. These satires are full of noble appeals to the purest emotions of virtue, and of severe rebukes for triumphant vice. Juvenal's language is often harsh and his taste impure; but his ideas are so elevated, his perception of truth, honor, and justice so clear, that he seldom fails to win the attention of his readers.
Epigrams seem to have been a favorite mode of expressing thought at the court of Augustus, and almost every eminent Roman from the time of Cicero has left one or more of these brilliant trifles behind him. M. Valerius Martialis, the chief of the epigrammatists, was born about A.D. 40, at Bibilis, in Spain, from whence he came to Rome, when about twenty, to perfect his education. Here he lived for thirty-five years, engaged in poetical pursuits, and patronized by Titus and Domitian. He seems finally to have returned to his native land, where he was living in the year A.D. 100. His poems are about fifteen hundred in number, divided into fourteen books, and are altogether original in their design. They are always witty, often indecent, and contain many personal allusions which can not now be understood. Martial is one of the most gifted of the Roman writers.
The practice of writing epigrams was preserved until a very late period. Seneca, Pliny the younger, Hadrian, and many others, were fond of composing them; and in modern times the epigram has been a favorite kind of poetry with most good writers.
Phædrus, who lived under Augustus and Tiberius, wrote pleasing fables. Calphurnius and Ausonius imitated Virgil's bucolics, and fragments of many other poets are preserved, whom we can not mention here.
Historical writers also abounded under the empire. Velleius Paterculus, an excellent historian descended from a patrician family, was born about B.C. 19. He was the friend and flatterer of Tiberius, and rose, in consequence, to several high offices. He was Quæstor in perhaps A.D. 7, and Prætor in A.D. 15. His Historicæ Romanæ, two books of which remain, is an abridgment of the history of the world, written in a clear and pleasing style, and is, in general, trustworthy. He flatters his benefactors, Augustus and Tiberius, but his fine tribute to the memory of Cicero shows that he felt a strong sympathy with that chief of the Republicans.
Valerius Maximus, who also lived under Tiberius, wrote a considerable work, composed of remarkable examples of virtue, and other anecdotes, collected from Roman or foreign history. He had plainly a just conception of moral purity, although he dedicates his book to Tiberius. His style is inflated and tasteless, but the work is not without interest.
Next after Valerius arose Tacitus, the chief of the imperial prose writers. Tacitus, a plebeian by birth, was born at Interamna. The year of his birth is not known, but must have lain between A.D. 47 and A.D. 61. Tacitus served in the army under Vespasian and Titus. He rose to many honors in the state, but in A.D. 89 left Rome, together with his wife, the daughter of the excellent Agricola. He returned thither in A.D. 97, and was made Consul by the Emperor Nerva. His death took place, no doubt, after A.D. 117. So few are the particulars that remain of the life of this eminent man; but the disposition and sentiments of Tacitus may be plainly discovered in his writings. He was honest, candid, a sincere lover of virtue. He lamented incessantly the fall of the old republic, and does not spare Augustus or Tiberius, whom he believed to be its destroyers. Like Juvenal, whom he resembled in the severity of his censure as well as the greatness of his powers, Tacitus wrote in a sad, desponding temper of mind, as if he foresaw the swift decline of his country.
His style is wholly his own - concise, obscure, strong, forever arousing the attention. He could never have attained the easy elegance of Livy, and he never tells a story with the grace of that unequaled narrator, but he has more vigor in his descriptions, more reality in his characters.
The life of his father-in-law Agricola is one of the most delightful of biographies. His account of the Germans was a silent satire upon the corrupt condition of the Roman state. The Historiarum Libri is a history of his own age, from the fall of Galba to the death of Domitian, and was probably designed to embrace the reigns of Nerva and Trajan. A small portion only of this work is preserved. The Annales relate the history of Rome from the death of Augustus to that of Nero, but are also imperfect. A treatise upon the orators is also attributed to the historian. Tacitus and Juvenal are the last great names in Roman literature.
Quintus Curtius Rufus, an interesting writer, who lived perhaps under Claudius or Tiberius, his true period being uncertain, wrote, in ten books, an account of the exploits of Alexander the Great. He was succeeded by C. Suetonius Tranquillus, who came to Rome during the reign of Domitian, and there studied rhetoric and grammar. Under Hadrian he fell into disgrace and went into exile: the period of his death is unknown. Suetonius wrote the lives of the twelve Cæsars, ending with Domitian. His language is good, and he paints with uncommon minuteness the vices as well as the virtues of his subjects; he abounds, too, in particulars which throw light upon the manners of the Romans. Suetonius also wrote several short treatises, while various biographies have been attributed to him which probably belong to inferior writers.
L. Annæus Florus, who perhaps lived under Trajan, wrote an epitome of Roman history. Justin, whose period is unknown, wrote or abridged from an earlier author, Trogus, a history of the world. The Scriptores Historiæ Augustæ is a collection of writers of little merit, who flourished in different periods of the empire. Aurelius Victor, who was probably Præfect of Rome under Theodosius, wrote Origo Gentis Romanæ, only a small portion of which has been preserved, and several other historical works. Eutropius, who served under Julian against the Persians, composed a brief history of Rome, written in a pure and natural style.
Ammianus Marcellinus, who lived under Valens, Valentinian, and Theodosius until A.D. 410, and was a Greek by birth, wrote a history of the empire from Nerva to the death of Valens, A.D. 378. A large part of this work is lost. Ammianus abounds in digressions and descriptions, and is, on that account, the more entertaining. His manner can not be praised.
The Spaniard Orosius concludes the list of the Latin historians. Orosius was a Christian presbyter, and, while defending Christianity, paints a lamentable picture of the condition of the pagan world. He borrowed from Justin and other writers, and lived in the fifth century.
Rhetoric continued to be cultivated, but eloquence no longer possessed the power which it held under the Republic. The speeches now delivered were chiefly declamations upon unimportant themes. M. Annæus Seneca, the father of the philosopher, came to Rome from his native city Corduba, in Spain, during the reign of Augustus, and became a famous rhetorician. M. Fabius Quintilianus, a greater name in literature, was born A.D. 42, at Calgurris, in Spain, but, as was customary with men of merit at that period, went up to Rome, and became celebrated as a teacher of rhetoric. He was a person of excellent character, and, besides practicing at the bar, rose to the consulship. Having passed many years in politics or the law, Quintilian at last returned to his old profession, and in the close of his life gave himself wholly to letters. He now wrote his work upon oratory, Libri duodecim Institutionis Oratoriæ. In this valuable work he seeks to restore the purity of the language, inculcates simplicity, and shows an excellent taste. The younger Pliny was also a famous orator or declaimer.
The Romance, or modern novel, is also thought to have begun in the first century with the satirical tale ascribed to Petronius Arbiter, or perhaps with the translation of the Milesian tales of Aristides from the Greek by Sisenna. The Petronii Arbitri Satiricon is a romance in prose and verse, and was probably written in the first century by an author of whom nothing is known. It relates the adventures of a certain Encolopius, and satirizes the vices and follies of the age. The language of this work is pure, the wit lively, but indecent: only a portion, however, of the Satiricon has been preserved. During the age of the Antonines arose Appuleius, the best known of the ancient writers of tales. He was born at Madaura, in Africa, but went to Carthage, and from thence to Athens, where he was initiated into the Grecian mysteries, and studied the Platonic philosophy. Appuleius was an agreeable speaker, and had filled his mind with the learning of his age; but his fame with posterity rests upon his novel Metamorphoseon, in which he strives to correct the vices of his contemporaries. In this work a vicious young man is transformed into an ass, under which form he goes through many amusing adventures, but is at last changed to a new man through the influence of the mysteries. The story is full of episodes, the moral good, but the language shows the decline of literary taste.
Philosophy, since the time of Cicero, had become a favorite study with the Romans, although they produced no remarkable philosopher. Seneca, the most eminent of them, was the son of M. Annæus Seneca, the rhetorician. He was probably born at Corduba, in Spain, soon after the Christian era, and was educated by the best masters at Rome. He possessed an active intellect, was early renowned, and held various high offices in the state. Having been the preceptor of Nero, he was finally condemned to death by that monster, and put an end to his life A.D. 65. Seneca was a Stoic, and taught self-control, tranquillity of mind, and contempt for the changes of fortune. His various essays and other writings have always been admired, although he wanted a correct taste, and is often affected and rhetorical. He possessed great wealth, which he either inherited or accumulated. His town house was adorned with marbles and citron-wood, and his country villas, of which he had several, were filled with costly luxuries; yet his morals were probably pure, and he was much beloved for his generosity and fidelity to his many friends.
The elder Pliny, Plinius Secundus Major, another famous philosopher, was born in the year A.D. 23, either at Como or Verona. He served with the army in Germany, and rose high in office under Vespasian. Being in command of the fleet at Misenum during the first eruption of Vesuvius in A.D. 79, in order to gratify his curiosity he remained too long near the burning mountain, and was suffocated by its exhalations. Pliny passed his whole life in study, and was never satisfied unless engaged in acquiring knowledge. His Historia Naturalis resembles the Cosmos of Humboldt, and passes in review over the whole circle of human knowledge. It treats of the heavens, of the earth and its inhabitants, of the various races of man, of animals, trees, flowers, minerals, the contents of the sea and land, of the arts and sciences; and shows that the author possessed an intellect of almost unequaled activity. His nephew, the younger Pliny, who lived under Trajan, and was the favorite correspondent of that emperor, is remembered for his agreeable letters, and the purity and dignity of his character.
Grammatical studies and critical writings also afforded employment for many intelligent Romans; and every part of the empire seems to have been filled with cultivated men, who, possessing wealth and leisure, gave themselves to literary studies. Aulus Gellius, one of the best known of the grammarians, lived during the period of the Antonines. His Noctes Atticæ is a critical work in twenty books, in which he discusses many questions in language, philosophy, and science. He seems to have passed his life in traveling over Italy and Greece, collecting materials for this work, and, wherever he goes he never fails to meet with agreeable, intelligent friends, who delight, like himself, in improving conversation.
Aurelius Macrobius, another well-known grammarian, lived during the fifth century. His Commentary on the Dream of Scipio is full of the scientific speculations of his age. His Saturnalia contains many extracts from the best Roman writers, with criticisms upon them, in which he detects the plagiarisms of Virgil, and observes the faults as well as the beauties of the orators and poets of Rome. The works of other grammarians have been preserved or are partly known to us, among which are those of Servius, Festus, Priscianus, and Isidorus.
The study of the law, too, flourished in uncommon excellence under the emperors, and nearly two thousand legal works were condensed in the Digests of Justinian, few of which belonged to the Republican period. Under Augustus and Tiberius, Q. Antistius Labeo founded the famous school of the Proculians. He left four hundred volumes upon legal subjects. His rival, C. Ateius Capito, founded the school of the Sabinians, and was also a profuse writer. Under Hadrian, Salvius Julianus prepared the Edictum Perpetuum, about the year A.D. 132, which condensed all the edicts of former magistrates into a convenient code. Papinianus, Ulpianus, and Paulus were also celebrated for their legal writings. The only complete legal work, however, which we possess from this period, is a Commentary by Gaius, who lived probably under Hadrian. This valuable treatise was discovered in the year 1816 by the historian Niebuhr, in the library of Verona. It contains a clear account of the principles of the Roman law, and the Institutes of Justinian are little more than a transcript of those of Gaius.
Various medical writers also belong to the Imperial period, the most important of whom is A. Cornelius Celsus. Works on agriculture were also written by Columella, Palladius, and others, which serve to show the decline of that pursuit among the Romans. Geography, mathematics, and architecture were also cultivated; but of most of these scientific authors only the name is preserved.

Juvenal



Literature of China

Literature of China

Chinese literature extends thousands of years, from the earliest recorded dynastic court archives to the mature fictional novels that arose during the Ming Dynasty to entertain the masses of literate Chinese. The introduction of widespread woodblock printing during the Tang Dynasty (618–907) and the invention of movable type printing by Bi Sheng (990–1051) during the Song Dynasty (960–1279) rapidly spread written knowledge throughout China. In more modern times, the author Lu Xun (1881–1936) is considered the founder of baihua literature in China.

Classical texts

There is a wealth of early Chinese literature dating from the Hundred Schools of Thought that occurred during the Eastern Zhou Dynasty (770-256 BCE). The most important of these include the Classics of Confucianism, of Daoism, of Mohism, of Legalism, as well as works of military science and Chinese history. Note that except for the books of poems and songs, most of this literature is philosophical and didactic; there is little in the way of fiction. However, these texts maintained their significance through both their ideas and their prose style.
The Confucian works in particular have been of key importance to Chinese culture and history, as a set of works known as the Four Books and Five Classics were, in the 12th century CE, chosen as the basis for the Imperial examination for any government post. These nine books therefore became the center of the educational system. They have been grouped into two categories: the Five Classics, allegedly compiled by Confucius, and the Four Books, which were compiled in the 12th century CE. The Five Classics include:
  1. The I Ching, or Book of Changes , a divination manual attributed to the mythical emperor Fu Xi and based on eight trigrams. The I Ching is still used by adherents of folk religion.
  2. The Classic of Poetry, a collection of folk songs, festival and ceremonial songs, and religious hymns and eulogies.
  3. The Record of Rites (a recreation of the original Classic of Rites, which was lost in the Imperial book purge), which describes ancient rites and court ceremonies.
  4. The Classic of History, a collection of documents and speeches allegedly written by rulers and officials of the early Zhou period and before. It contains the best examples of early Chinese prose.
  5. The Spring and Autumn Annals, a historical record of Confucius' native state, Lu, from 722 to 479 BCE.
The Four Books include: the Analects of Confucius, a book of pithy sayings attributed to Confucius and recorded by his disciples; Mencius, a collection of political dialogues; the Doctrine of the Mean, a book that teaches the path to Confucian virtue; and the Great Learning, a book about education, self-cultivation and the Dao.
Other important philosophical works include the Mohist Mozi, which taught "inclusive love" as both an ethical and social principle, and Hanfeizi, one of the central Legalist texts.
Important Daoist classics include the Dao De Jing, the Zhuangzi, and the Classic of the Perfect Emptiness. Later authors combined Daoism with Confucianism and Legalism, such as Liu An (2nd century BCE), whose Huainanzi (The Philosophers of Huai-nan) also added to the fields of geography and topography.
Among the classics of military science, The Art of War by Sun Tzu (6th century BCE) was perhaps the first to outline guidelines for effective international diplomacy. It was also the first in a tradition of Chinese military treatises, such as the Wujing Zongyao (Collection of the Most Important Military Techniques, 1044 CE) and the Huolongjing (Fire Dragon Manual, 14th century CE).

Historical texts, dictionaries and encyclopedias

Sima Qian laid the ground for professional  
Chinese historiography more than 2,000 years ago.

The Chinese kept consistent and accurate court records after the year 841 BCE, with the beginning of the Gonghe regency of the Western Zhou Dynasty. The earliest known narrative history of China was the Zuo Zhuan, which was compiled no later than 389 BCE, and attributed to the blind 5th century BCE historian Zuo Qiuming. The Classic of History is thought to have been compiled as far back as the 6th century BCE, and was certainly compiled by 300 BCE, the latest date for the writing of the Guodian Chu Slips unearthed in a Hubei tomb in 1993. The Classic of History included early information on geography in the chapter of the Yu Gong.[1] The Bamboo Annals found in 281 AD in the tomb of the King of Wei, who was interred in 296 BCE, provide another example; however, unlike the Zuo Zhuan, the authenticity of the early date of the Bamboo Annals is in doubt. Another early text was the political strategy book of the Zhan Guo Ce, compiled between the 3rd and 1st centuries BCE, with partial amounts of the text found amongst the 2nd century BCE tomb site at Mawangdui. The oldest extant dictionary in China is the Erya, dated to the 3rd century BCE, anonymously written but with later commentary by the historian Guo Pu (276–324). Other early dictionaries include the Fangyan by Yang Xiong (53 BCE – 18 AD) and the Shuowen Jiezi by Xu Shen (58–147 AD). One of the largest was the Kangxi Dictionary compiled by 1716 under the auspices of the Kangxi Emperor (r. 1661–1722); it provides definitions for over 47,000 characters.
Although court records and other independent records existed beforehand, the definitive work in early Chinese historical writing was the Shiji (史記/史记), written by the Han Dynasty court historian Sima Qian (145 BCE-90 BCE). This groundbreaking text laid the foundation for Chinese historiography and the many official Chinese historical texts compiled for each dynasty thereafter. Sima Qian is often compared to the Greek Herodotus in scope and method, because he covered Chinese history from the mythical Xia Dynasty until the contemporary reign of Emperor Wu of Han while retaining an objective and non-biased standpoint. This was often difficult for the official dynastic historians, who used historical works to justify the reign of the current dynasty. He influenced the written works of many Chinese historians, including the works of Ban Gu and Ban Zhao in the 1st and 2nd centuries, and even Sima Guang's 11th-century compilation of the Zizhi Tongjian (資治通鑒/资治通鉴), presented to Emperor Shenzong of Song in 1084 AD. The overall scope of the historiographical tradition in China is termed the Twenty-Four Histories, created for each successive Chinese dynasty up until the Ming Dynasty (1368–1644); China's last dynasty, the Qing Dynasty (1644–1911), is not included.
Large encyclopedias were also produced in China through the ages. The Yiwen Leiju encyclopedia was completed by Ouyang Xun in 624 during the Tang Dynasty, with aid from scholars Linghu Defen and Chen Shuda. During the Song Dynasty, the compilation of the Four Great Books of Song (10th century – 11th century), begun by Li Fang and completed by Cefu Yuangui, represented a massive undertaking of written material covering a wide range of different subjects. This included the Extensive Records of the Taiping Era (978), the Imperial Readings of the Taiping Era (983), the Finest Blossoms in the Garden of Literature (986), and the Prime Tortoise of the Record Bureau (1013). Although these Song Dynasty Chinese encyclopedias featured millions of written Chinese characters each, their aggregate size paled in comparison to the later Yongle Encyclopedia (1408) of the Ming Dynasty, which contained a total of 50 million Chinese characters.[2] Even this size was trumped by later Qing Dynasty encyclopedias, such as the printed Gujin Tushu Jicheng (1726), which featured over 100 million written Chinese characters in over 800,000 pages, printed in 60 different copies using copper-metal Chinese movable type printing. Other great encyclopedic writers include the polymath scientist Shen Kuo (1031–1095) and his Dream Pool Essays, the agronomist and inventor Wang Zhen (fl. 1290–1333) and his Nongshu, and the minor scholar-official Song Yingxing (1587–1666) and his Tiangong Kaiwu.

 Classical poetry

Su Shi (1037–1101), a famous Song Dynasty poet and statesman.

Among the earliest and most influential poetic anthologies was the Chuci (楚辭,楚辞) (Songs of Chu), made up primarily of poems ascribed to the semi-legendary Qu Yuan (屈原) (c. 340-278 BCE) and his follower Song Yu (宋玉) (4th century BCE). The songs in this collection are lyrical and romantic and represent a different tradition from the earlier Shijing. During the Han Dynasty (206 BCE-CE 220), this form evolved into the fu (賦,赋) , a poem usually in rhymed verse except for introductory and concluding passages that are in prose, often in the form of questions and answers. The era of disunity that followed the Han period saw the rise of romantic nature poetry, which was heavily influenced by Taoism. The Han Chinese astronomer, mathematician, and inventor Zhang Heng (78–139 CE) was also largely responsible for the early development of Shi (詩,诗) poetry.
Classical poetry reached its zenith during the Tang Dynasty (CE 618–907), and thus this type of poetry is known as Tang poetry. The early Tang period was best known for its lushi 律诗 (regulated verse), an eight-line poem with five or seven words in each line; Zi (verse following strict rules of prosody); and jueju (绝句)(truncated verse), a four-line poem with five or seven words in each line. The two best-known poets of the period were Li Bai (701–762) and Du Fu (712–770). Li Bai was known for the romanticism of his poetry; Du Fu was seen as a Confucian moralist with a strict sense of duty toward society. Later Tang poets developed greater realism and social criticism and refined the art of narration. Among the best-known of the later Tang poets was Bai Juyi (772–846), whose poems were a critical commentary on the society of his time. Li Yun (789–831) was an eclectic poet, writing mainly "Palace poetry". The Quantangshi, or complete Tang Poems (全唐詩) was not fully compiled until 1705 CE, during the Qing Dynasty.
Subsequent writers of classical poetry lived under the shadow of their Tang predecessors, and although there were many poets in subsequent dynasties, none reached the level of this period.[by whom?] As the classical style of poetry became more stultified, a more flexible poetic medium, the ci (詞,词), arrived on the scene. The ci, a poetic form based on the tunes of popular songs, some of which were of Central Asian origin, was developed to its fullest by the poets of the Song Dynasty (960–1279 CE). The Song era poet Su Shi (1037–1101 CE) mastered the ci, shi, and fu forms of poetry, as well as prose, calligraphy, and painting.
As the ci gradually became more literary and artificial, Sanqu, a more free form based on dramatic arias, developed. The use of sanqu songs in drama marked an important step in the development of vernacular literature.

Classical prose

Early prose

Early Chinese prose was deeply influenced by the great philosophical writings of the Hundred Schools of Thought (770-221 BCE). The works of Mo Zi (墨子), Mencius (孟子) and Zhuang Zi (莊子) contain well-reasoned, carefully developed discourses that reveal much stronger organization and style than their predecessors. Mo Zi's polemic prose was built on solid and effective methodological reasoning. Mencius contributed elegant diction and, like Zhuang Zi, relied on comparisons, anecdotes, and allegories. By the 3rd century BCE, these writers had developed a simple, concise and economical prose style that served as a model of literary form for over 2,000 years. They were written in Classical Chinese, an isolating language spoken during the Spring and Autumn Period.

Later prose

During the Tang period, the ornate, artificial style of prose developed in previous periods was replace by a simple, direct, and forceful prose based on examples from the Hundred Schools (see above) and from the Han period, the period in which the great historical works of Sima Tan and Sima Qian were published. This neoclassical style dominated prose writing for the next 800 years. It was exemplified in the work of Han Yu 韓愈 (768–824), a master essayist and strong advocate of a return to Confucian orthodoxy; Han Yu was later listed as one of the "Eight Great Prose Masters of the Tang and Song."
The Song Dynasty saw the rise in popularity of "travel record literature" (youji wenxue). Travel literature combined both diary and narrative prose formats, it was practiced by such seasoned travelers as Fan Chengda (1126–1193) and Xu Xiake (1587–1641) and can be seen in the example of Su Shi's Record of Stone Bell Mountain.
After the 14th century, vernacular fiction became popular, at least outside of court circles. Vernacular fiction covered a broader range of subject matter and was longer and more loosely structured than literary fiction. One of the masterpieces of Chinese vernacular fiction is the 18th-century domestic novel Dream of the Red Chamber (紅樓夢).


http://en.wikipedia.org/wiki/Chinese_literature